"Road show" turns up 1950s record set

Last Sunday I was part of the appraisers' panel for a "road show" type of event in conjunction with the Iola Historical Society's summer fund raising day.

Iola, being the home of what was once the world's premier publishing company for collectors and hobbyists, has many resident experts in virtually every collectible area. The historical society offers an appraisal service where for $3 the general public can have experts give a verbal evaluation of their attic treasures.

I've been involved with this for the past three years; working, naturally, at the sports cards and memorabilia table. The event never draws a really big crowd, and at least at the sports table, we've never seen anything really valuable, but it is a fun way to spend an afternoon and to catch up with former colleagues (I share the sports table each year with SCD editor T.S. O'Connell) and to meet some interesting people.

I had a nice conversation, for instance, with an elderly gent who brought by a small picture frame with a pair of ticket stubs from the 1938 University of Wisconsin football season. The tickets were from games with Marquette (back whe n that Milwaukee school had a football program) and Pittsburgh. The tickets have a great art deco look and the price of 25 cents for a seat at a Badger game was a real blast from the past.

The old guy was in high school when he attended those games and has been to at least one Wisconsin game every year since. He had no interest in selling the tickets but was interested in their value, and even more interested in talking about 70 years of college football. My ballpark guesstimate was $50 apiece.

Our first appraisal for the day is presented here. A middle-aged fellow brought in a quartet of baseball instructional records.The value of such records within the cards/memorabilia hobby is usually in the quality and condition of the picture sleeves, rather than in the records themselves.

Over the years when working for the Standard Catalog of Baseball Cards and elsewhere in the hobby, I'd seen several issues of instructional records from the 1950s through the 1970s. This particular grouping was not one with which I was familiar.

The records are 6" diameter, pressed in red plastic with rather plain paper labels. The small central spindle hole identifies them as 33-1/3 or 78 rpm. Presumably the content of the record consists of the player providing playing tips for his position.

The front of the picture sleeves displays great top-to-cap artwork of the players in action poses against a bright pastel colored background. Black-and-white backs are truly ugly, with crude drawings. Columbia records is identified in a couple of places on the sleeves and records as the maker.

When I viewed the player selection, I thought these might have been a Wheaties premium, because the four players represented were all included in several early 1950s Wheaties promotional items. The records' owner said he did not remember where he had gotten the records, and that they may have been some sort of cereal mail-in premium.

Since neither T.S., nor I . . . or even the event's record expert . . . had seen these before, we weren't able to provide any definitive answers, but I promised the owner I'd do some poking around the internet and get back to him. On the basis of what similar records sell for, I told him I thought the set of four -- Yogi Berra, Bob Feller, Ralph Kiner and Phil Rizzuto -- in the rather nice condition in which they were preserved, should be worth about $200.

The records were numbered PV-800 through PV-803, so I postulated that four pieces might comprise the complete issue, though if they were a Wheaties promotion, it is possible other regulars from the Wheaties line-up such as Stan Musial, George Kell or even Ted Williams or Jackie Robinson, might have been issued.

It turned out that finding information on the records was easy once I got to a computer. The records were actually included in a new products article in the June 2, 1952, issue of Time magazine. I was correct in that Berra, Feller, Kiner and Rizzuto represent the complete set, but there was no mention of any connection with Wheaties or any other sponsor. The article mentioned that the "unbreakable" records retailed for 34 cents apiece.

A little bit of digging on eBay turned up current or recent sales of each of the records, except for Berra. In a condition in which the picture sleeves were generally in about VG condition, as opposed to the EX or so condition of the set that I had viewed, the records had sold for $20-40 apiece.

Given that Berra would be the highest priced among the group, I'm confident my $200 appraisal for the set of four in that condition was fairly accurate. If there had been a Wheaties connection and identification on the records, I think he value would be 25% higher.

I shared my findings with the records' owner, and now I've shared them with you.

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Joe Guyon, Part II, the pro years

As promised in my June 28 posting, I’m here to wrap up the story of Joe Guyon, with a recap of his career as a professional football and baseball player in the 1920s. If you haven’t read the first part, I’ll wait here while you get caught up.

Guyon left college in 1919, at the age of 26 (eligibility standards were different then), accepting Jim Thorpe’s invitation to join the Canton Bulldogs, a professional football powerhouse in the Ohio League, which was a direct ancestor of today’s NFL.

With a 9-0-1 record, Canton won the 1919 league championship. In 1920, Canton became a charter member of the American Professional Football Association, which became the National Football League in 1922.

In 1920, Guyon, Thorpe and the Bulldogs finished eighth, at 7-4. Unfortunately, stats for the NFL’s early seasons are not available, so it is impossible to quantify Guyon’s performance or make valid comparisons to other pioneering pro stars. We do know, however, that he is credited that season with a 95-yard punt.

Guyon remained paired with Thorpe in four more NFL backfields between 1921 and 1924. They played with the Cleveland Indians in 1921, the Oorang Indians (a traveling team of Native Americans sponsored by a championship dog breeder) in 1922-1923 and the Rock Island Independents in 1924. Surprisingly, those teams had a combined NFL record of 12-23-2, with only one winning season, a 5-2-2 record at Rockford. The two were also close off the field, with Guyon serving as best man at Thorpe’s wedding.

Some sources indicate Guyon also played with the APFA Washington Senators and the independent Union Quakers of Philadelphia in 1921, though those affiliations are not mentioned in Guyon’s official NFL Hall of Fame biography.

Thorpe and Guyon’s football paths diverged in 1925, Thorpe remaining at Rock Island with Guyon moving on to the Kansas City Cowboys in 1925, suffering another losing (2-5-1) season.

If he played pro football at all in 1926, Guyon played for independent teams. In 1927, in their third year in the NFL, the New York Giants signed Guyon. Playing guard tackle, blocking back and tailback and doing the punting, Guyon helped the Giants to an 11-1-1 record and the NFL Championship. “I did everything except sell programs,” Guyon said.

Guyon’s engagement with the championship Giants was his last in the NFL. Though not yet 35, it was reported that a baseball injury prevented his return to pro football. He was inducted into the Pro Football Hall of Fame in 1966.

Prior to joining the Canton football team in 1919, Guyon was reported by The Sporting News to have been playing independent baseball in Minnesota and North Dakota. He was given a trial by the New York (baseball) Giants late in the 1919 season, but failed to make the club and, though he played minor league ball for 12 seasons, never played an inning of major league ball.

Late in 1919, Guyon signed his first pro contract with the Atlanta Crackers of the then-Class A Southern Association. The Sporting News’ Atlanta correspondent, who wrote under the by-line of Lynch, lauded what he called the surprise move by team owner Charley Frank to acquire “Georgia’s star football and baseball player.” Lynch wrote, “Although it has been known locally that the popular college player would sign with some professional team for the 1920 drive, it was believed here the offers of several major league clubs, known to have been made to him, would prove so successful that efforts of local magnates to secure his services would prove futile.”
Guyon traveled a bit during the 1920 season. He book ended the season with Atlanta. Early in the year he was put on waivers and claimed by Little Rock. He was joined on the Travelers, who were also a Southern Association team, by Native American players William Wano and Moses Yellow Horse. In July, Guyon was put on waivers by Little Rock and Atlanta reclaimed him.

Guyon initially refused to report back to Atlanta and played for a time with Winder in a Georgia outlaw league. By the end of the season he was back in Atlanta. The SABR Minor Leagues Data Base shows Guyon also found time to play a handful of game in 1920 with Augusta, of the Class C South Atlantic League. Overall, Guyon’s batting average for 1920 was just .233 with one home run.

For the off-season, Guyon joined the Georgia Tech football coaching staff, reportedly commuting each weekend to professional engagements with Canton.

Guyon spent the 1921-1923 season in Atlanta’s outfield. He hit .309, and once the lively ball made its way to the Southern Association, his home run output jumped to 11 in 1922 and 10 in 1923. He had never previously hit more than one home run in any season.

Speed was Guyon’s principal weapon. He stole more than 200 bases in his minor league career, including 45 with Atlanta in 1921. Four times he scored more than 100 runs.

It was back to Little Rock for Guyon in 1924, where he hit .346. He spent the 1925-28 seasons with Louisville, batting a nifty .350 and helping the Colonels to American Association championships in 1926 and 1927.

He played only 25 games for Louisville in 1928, injuring his knee when he ran into an outfield fence in May. That ended his hopes of making the major leagues, as well as his pro football career.
From 1928-1931, Guyon was head baseball coach for the Clemson Tigers, with a combined 42-36-3 record.

In 1931, Guyon returned to professional baseball at the age of 38 as a playing-manager for the Anderson/Spartanburg Electrics of the Class D Palmetto League, batting .315. He jumped a couple of classifications in 1932, managing Asheville of the Piedmont League (Class B). He hit .364 that season in 66 games.

In the off-seasons, Guyon coached high school football at St. Xavier in Louisville from 1931-33, with a 16-7-2 record. Guyon’s final engagement in pro ball was as playing-manager of the Fieldale Towlers in the Bi-State League, a Class D circuit in Virginia and North Carolina. At the age of 43 he was still able to hit .265 in 33 games.

Overall in 12 minor league seasons, Guyon hit .329.

Following his playing days, Guyon lived for a time in Harrah, Okla., and from 1954-1962 in Flint, Mich., where he was a bank guard. A fellow Georgia Tech alum who knew Joe Guyon after his playing days, Joseph P. Byrd III, said of Guyon, “Though a terror on the football field, off the field Joe was a gentleman, light-hearted, bright, animated and witty.” He returned to Louisville in 1968 where he lived out his days, dying there a day after his 79th birthday.

Joe Guyon, finally out from Jim Thorpe's shadow

The latest addition to my series of 1955 Topps-style All-American college football cards is Joe Guyon, who starred at both Carlisle and Georgia Tech in the 1910s. For many years I'd had an interest in Guyon because, besides being a collegeiate gridiron star and an NFL Hall of Famer, Guyon also had a very successful minor league baseball career.

Georgia Tech didn't have any players in the original 1955 Topps All-American set, which I thought was a shame, since I'm sure the creative types at Topps could have worked up a great logo based on the team's unofficial nickname of the "Ramblin' Wreck." I've done my best to come up with something appropriate.

There is so much more to Joe Guyon's story that I can fit into 90 words on the back of his card, so I'm going to take a couple of days to present it here.

Because he spent his early collegiate career and his entire professional career in the shadow of Jim Thorpe, the name and fame of Joe Guyon are little known to today’s fans and collectors.

Like Thorpe, Guyon was a two-sport star who parlayed awesome athletic abilities into a life away from the White Earth Indian reservation near Brainerd, Minn., where he was born O-Gee-Chidah (sometimes translated as “Big Brave”) into the Ojibwa (Chippewa) tribe on Nov. 26, 1892. His English name was Joseph Napoleon Guyon. Also like Jim Thorpe, Joe Guyon was never saddled with what would today be considered the offensive nickname of "Chief," that was ubiquitously applied to virtually every Indian athlete in his era. A sportswriter or two, with a nod toward Mark's Twain's villain in Tom Sawyer, tried to make "Indian Joe" stick on Guyon, but it never really caught on.


He began his collegiate career under coach Pop Warner at the Carlisle (Pa.) Industrial Indian School in 1912. At 5’ 10” amd 195 lbs., he was a crushing blocker as a tackle for his teammate of Jim Thorpe. The team went 12-1-1. When Thorpe left the school, Guyon took over for him at halfback for the 1913 season. Carlisle was 11-2-1 that season, and both Walter Camp (Collier’s magazine) and the International News Service named Guyon a second-team All-American. Guyon also ran track at Carlisle; the school had no baseball team at that time.

From 1914-1916, Guyon attended Keewatin Academy, a private boys’ school that split its term (and sports seasons) seasonally between Prarie du Chien, Wis., and Ponce Park, Fla. Guyon spent his time at Keewatin bolstering his grades to make himself a better candidate for the major universities.

While on his way to visit a North Carolina school that had offered him a scholarship, Guyon stopped in Atlanta where his older brother Charles, himself a football star at the Haskell Institute and Carlisle, was an assistant under football coach John Heisman at Georgia Tech.


Guyon decided to matriculate at Tech. He became part of Heisman’s “Dream Team Backfield,” and when he wasn’t carrying the ball himself, he was clearing the way for others. Ralph McGill, Atlanta sportswriter, said of Guyon, “They could follow that big fellow and run to glory because he cleared the way, and I mean he cleared it!”

Another writer said, “Survivors of the teams Tech played in those days still shudder to recall the multiple impacts when Guyon blocked or tackled them, and he could punt over 60 yards consistently, place-kick from midfield and pass with the best.”


Georgia Tech went 9-0 in 1917, outscoring its opponents 491-17. In an 83-0 defeat of Vanderbilt,

Guyon ran for 344 yards in just a dozen carries. Later that season, against Carlisle, Guyon played only the first quarter as his old school was humiliated 98-0. Georgia Tech was named national champions in 1917 and Guyon was honored as halfback on two of the major All-American teams of the day.

With a 6-1 record, Georgia Tech won the Southern Intercollegiate Athletic Association championship in 1918 and Guyon was named a tackle on Frank Menke’s first syndicated All-American team.


Even after Guyon was nearly 20 years removed from the collegiate football scene, McGill wrote in 1935, “There is no doubt in my mind that Joe Guyon is the greatest football player the South ever saw.”

Joe Guyon was elected to the College Football Hall of Fame in 1971.


(We’ll pick up Joe Guyon’s story with his pro football and baseball careers next time.)

Koufax gets two "new" rookie cards

As I mentioned in my last posting, I found the circa 1957 photo of Sandy Koufax in action on the Ebbets Field mount so compelling that I couldn't stop with making just one custom card from it.

A hometown Brooklyn boy, Koufax had his "real" rookie card with the Brooklyn-based Topps gum company in 1955. He did not appear in that year's Bowman baseball set.

I've remedied that by creating a hybrid of a Topps photo and a Bowman format. Actually, I did it twice. The 1955 Bowman "Color TV" set has been one of my favorite baseball card issues of all time since the day my brother came home from the neighborhood grocery store with fifty cents worth of nickel packs and began sorting them on the living room rug, proudly announcing that he had "more than half a hundred" of the newly releasedcards. For some reason "half a hundred" seemd to me at the time like so much greater a quantity than "50."

My first 1955 Bowman-style custom card was a George Crowe piece I featured in this space some months back. That card uses the mahogany tv cabinet. When the thought of doing a '55B Koufax popped into my head, I knew immediately I wanted to use the white oak cabinet that appeared on many of the early series in 1955 Bowman.

Unfortunately, my meager holdings of 1955 Bowmans do not contain any of the lighter wood framed cards, so I had to go on the internet and buy one. Before doing so, I paged through a library of images of 1955 Bowman to find an oak cabinet card that had the right photo background on which to place the Koufax photo.

I knew I wanted to find a card that showed a lot of the Shibe Park background in which the vast majority of the players had been photographed for that set. I found the perfect "host" card in #15, Boston Red Sox pitcher Frank Sullivan. Not only does the Sullivan card have the oak cabinet and a lot of stadium background, but the player's picture at center takes up very little space and could be easily airbrushed away.

I found myself in a quandry, however, as I studied the card of Cardinals' pitcher Brooks Lawrence. I've always liked the Lawrence card because the photo was taken on a nice sunny day, and the bright blue sky is nearly unmatched through the rest of the set. While the Lawrence card has the darker wood tv cabinet, it was no great chore to remove the photo portion of the card and put it into the oak furniture of the Sullivan card.

You'll notice I used a more close-up version of the Koufax photo on the Lawrence-derived card, which I think helps provide some distinction between my two "new" Koufax rookies. Both cards share the same back.

As with all of my custom cards shared on this blog, you are perfectly welcome to pick off the images (I usually present them in fairly high resolution) and paste together your own card. Or, if you prefer a card already made, I usually have a few extras available at a reasonable cost to help defray my expenses. You can e-mail me at scbcguy@yahoo.com for details.

A 1957 Topps Sandy Koufax alt

One of the best (at least for us old-guy card collectors) player photos to come out of the Topps Vault series of internet auctions caught my eye and provided the inspiration for not one, but a pair of, Sandy Koufax custom card creations. (The photo also caught the eye of some serious Koufax collector specialists and Brooklyn Dodgers team collectors, and it was bid up to $1,275.)

The image was an original Topps color transparency described as dating from 1957. Indeed, the then-21-year-old Koufax is pictured at the top of his wind-up with some of Ebbets Field's outfield signs in the background.

I'm not going to second-guess the designers at Topps in 1957, who chose to go with a great close-up portrait for the Koufax card in their short-printed Fourth Series. But to me, the photo from the Topps vault just seemed like it would have also made a very nice card . . . so I made one.

I haven't often, in my several years of custom card making, tried to improve on an actual card from Topps, Bowman, etc. It's my belief that the graphic artists who created those originals so many decades ago, working with what today is viewed as ancient technology -- a roll of rubylith and an Xacto knife -- do not deserve to have their legacy usurped by me and my computer graphics tools.

But the image of the '57-style card that could be created from this newly re-discovered Koufax photo was just too vivid in my mind's eye, so I made it a reality.

As my custom card projects go, this alternative '57 Koufax was pretty easy. I just had to match the name/position/team typography from 1957 and lay it over the photo. On back, I just made a couple of subtle changes so that the card can't be confused with a genuine 1957 Topps issue.

This Koufax alt card represents my first work in the 1957 Topps set, which is surprising since that issue remains one of my all-time favorite basecall card sets. I have several other '57s on my to-do list, including a Stan Musial, who didn't appear on a Topps card until 1958.

Keep you eye on this space to see the other custom card that derived from this great old Topps photo of Sandy Koufax.

Down-sized Babe Ruth premium questioned

A reader recently inquired about what he believes may be an as-yet unreported third size of a Babe Ruth premium issued circa 1930 by the Chicago Herald and Examiner daily newspaper.

The Standard Catalog of Baseball Cards recognizes two sizes of the premium, measuring approximately 8-1/2" x 11" or 5" x 7". The card in question measures 2-3/16" in width at top; 2-1/8" wide at bottom. Height is 2-15/16" at left; just less than that at right.

I've had a chance to examine the card. Maybe I've been away from the counterfeit detection game too long. I no longer have a microscope and black lights on my desk top. My eyes aren't what they used to be. And maybe the newsest generation of fakes and fakers has passed me by with my antiquated expertise and examination techniques. I'm just not able to publicly make a call of good or bad on this item.

I like the look of the stock on which it is printed. The paper is about the thickness of photographic print paper and has a convincing aged look, both front and back. What I initially thought was a "reproduced" crease at top-left is an actual paper crease, clearly visible on the blank back.

The quality of the printing gives me pause, however. It's been many years since I had the larger-format premium in hand, so I don't recall its specs. I believe it was probably offset printed in the rotogravure offset process used to produce the Sunday magazine section in many newspapers of that era. I don't specifically recall ever examining the 5" x 7" version, so I can't comment on its production values.

This down-sized version also appears to have been printed in rotogravure four-color process, though I am unsure why the black ink portions have such a glossy, embossed, "wet" look.

Perhaps moreso than the physcial characteristics of the cardin question, I'm having trouble wrapping my mind around its original intended purpose. The 8-1/2" x 11" size was common to premiums in that era. It was a nice display item that might induce a baseball fan to buy the Sunday H and E off the newsstand, rather than the Trib or one of the other contemporary papers.

Frankly, I don't know why a 5x7 version would have been issued and am even more perplexed by this nominally 2-1/8" x 3" version. What could have been the intended use for which it was printed?

I'd guess that an examination of back issues of the Herald and Examiner for the few days before the Babe Ruth premium was actually issued might answer some of those questions, but we don't even know what year the premium was issued. Giving a bit more thought to that topic, perhaps the arbitrary designation of 1930 is too early. Perhaps it was issued in conjunction with the 1932 World Series, when the Yankees swept the Cubs. Or maybe there is a connection to the first All-Star Game at Comiskey Park in 1933.

This is not an idle inquiry; there are serious dollars at stake. The larger versions of the premium picture carry a book value of $1,300 in NM in the latest SCBC. Because this smaller version is more "card-like" in nature, and thus more appealing to many collectors, it is not out of the question that its value could be even higer than its big brothers, but at least one of the major certification services has declined to rule on its authenticity.

Naturally, anything you, the readers, can come up with in terms of facts, conjecture or opinions about this card would be most welcome.

'55 Topps Koufax reprint errors

In the course of doing my research for a custom card project (coming soon to this blog!) I had occasion to reference the back of the 1955 Sandy Koufax reprint that Topps made for its 1995 Brooklyn Dodgers Archives issue.

I had never noticed it before, but the reprint displays several errors in the biographical data section at left on back.

Most prominently, the reprint misspells Koufax's first name, adding a "D" to make "SANDFORD".

The reprint also flip-flopped Koufax's throwing and batting orientations, presenting them as "Bats: Left" and "Throws: Right". In actuality, as printed on the back of the original card, Koufax was a southpaw who batted righty.

Finally, the reprint subtracted 60 years from Koufax's age, giving his birthdate as 1995, instead of the correct 1935.

I don't know whether Topps made similar mistakes on other cards in the Dodgers Archives set. I don't believe they corrected the errors on the Koufax rookie reprint, or we'd have heard about it by now.